| 92. | dragonforce | ||
|
Uses Accelerators to make them sound like they can play fast. They come to concerts drunk and forget words songs(if you dont believe me go on youtube). Also if you watch the music video for ttfaf you can tell he is not actually playing the amoount of notes that it sounds like he is. Also he needs to get off the effects pedal. And keyboard plays more of the song then guitar. dragonforce sucks check them out on youtube
|
|||
| 93. | Crucified Pumpkin | ||
|
Extreme Black Metal band formed in 1998 by members Ovenroaster (vocals), Cat Strangler (drums), Dictator (bass) and CaveTroll (guitars). Hailing from Jerkstud, Norway, the five original members met while in high school and set out to make "the scariest, most uber grim extreme metal out there". Rather than just relying on the extreme blast beat drums and tremolo picking guitar playing of their Black Metal contemporaries, Crucified Pumpkin added other experimental atmospheric touches to their radical style of metal. After deciding that keyboards would solidify their line-up, Crucified Pumpkin was set to record. Mopp (keyboards) joined the band in the summer of 1998, and brought a fury of classical piano experience with him. Mopp had recently been fired from the Oslo Symphony Orchestra over accusations that he had begun practicing Beastiality with a pet chicken backstage before performances. The adding of fart noises and toilet flush sound effects to their 1998 debut "Jack O' Lenten Death" resulted in a series of underground tours, but not much publicity for the band. Finally, extreme Black Metal band Shroudghoul asked Crucified Pumpkin to open up for them on the former Soviet Blok tour in 1999. Fellow Black Metal band Tombmaster joined the two bands on the tour in Turkmenistan. Regular shows for Crucified Pumpkin included violent, shocking imagery, including scarecrows crucified upside down, crow's blood smeared on the band members and corn stalk impalements. On the night of... more...
|
|||
| 94. | Muddy Waters | ||
|
A postwar Chicago blues scene without the magnificent contributions of Muddy Waters is absolutely unimaginable. From the late '40s on, he eloquently defined the city's aggressive, swaggering, Delta-rooted sound with his declamatory vocals and piercing slide guitar attack. When he passed away in 1983, the Windy City would never quite recover.
more...
Like many of his contemporaries on the Chicago circuit, Waters was a product of the fertile Mississippi Delta. Born McKinley Morganfield in Rolling Fork, he grew up in nearby Clarksdale on Stovall's Plantation. His idol was the powerful Son House, a Delta patriarch whose flailing slide work and intimidating intensity Waters would emulate in his own fashion. Musicologist Alan Lomax traveled through Stovall's in August of 1941 under the auspices of the Library of Congress, in search of new talent for purposes of field recording. With the discovery of Morganfield, Lomax must have immediately known he'd stumbled across someone very special. Setting up his portable recording rig in the Delta bluesman's house, Lomax captured for Library of Congress posterity Waters' mesmerizing rendition of "I Be's Troubled," which became his first big seller when he recut it a few years later for the Chess brothers' Aristocrat logo as "I Can't Be Satisfied." Lomax returned the next summer to record his bottleneck-wielding find more extensively, also cutting sides by the Son Simms Four (a string band that Waters belonged to). Waters was renowned ... |
|||
| 95. | deathrock | ||
|
Deathrock (or goth punk as some call it) deals with themes of death and mortality, sorrow, despair, surrealism, fantasy, the darker side of the life of society, the supernatural, the occult, romanticism, the effects of psychological terror and trauma - just to name a few of the basics. The music of goth punk, (as opposed to the more traditional extremely fast and anger-based hardcore punk), usually exists within the realm of medium-fast, more danceable rhythms often including tribal tom-based drum sections for the verses. The music also often includes a synthesizer to accompany the drums, bass and guitar, which again, is something more traditional hardcore punk usually refrained from including. The result is more of a moody, introspective sound that takes one into the realms of imagination. The classic, essential deathrock bands include: Christian Death (the original lineup with vocalist Rozz Williams), early TSOL, UK Decay, The Damned, 45 Grave, Alien Sex Fiend and The Cramps.
more...
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One should at least check out the classic deathrock bands befor... |
|||
| 96. | goth punk | ||
|
Some people who have added to this definition have an extremely poor understanding of what so-called 'goth punk' is. Its roots are in MUSIC, the fashion being something secondary that developed out of and was inspired by the mood the music evokes. Goth punk (also defined as 'deathrock' and part of the 'post-punk' movement) deals with themes of death and mortality, sorrow, despair, surrealism, fantasy, the darker side of the life of society, the supernatural, the occult, romanticism, the effects of psychological terror and trauma - just to name a few of the basics. The music of goth punk, (as opposed to the more traditional extremely fast and anger-based hardcore punk), usually exists within the realm of medium-fast, more danceable rhythms often including tribal tom-based drum sections for the verses. The music also often includes a synthesizer to accompany the drums, bass and guitar, which again, is something more traditional hardcore punk usually refrained from including. The result is more of a moody, introspective sound that takes one into the realms of imagination. The classic, essential deathrock (or goth punk) bands include: Christian Death (the original lineup with vocalist Rozz Williams), early TSOL, UK Decay, The Damned, 45 Grave, Alien Sex Fiend and The Cramps.
more...
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be wor... |
|||
| 97. | gothic-punk | ||
|
Gothic punk (also defined as 'deathrock' and part of the 'post-punk' movement) deals with themes of death and mortality, sorrow, despair, surrealism, fantasy, the darker side of the life of society, the supernatural, the occult, romanticism, the effects of psychological terror and trauma - just to name a few of the basics. The music of gothic punk, (as opposed to the more traditional extremely fast and anger-based hardcore punk), usually exists within the realm of medium-fast, more danceable rhythms often including tribal tom-based drum sections for the verses. The music also often includes a synthesizer to accompany the drums, bass and guitar, which again, is something more traditional hardcore punk usually refrained from including. The result is more of a moody, introspective sound that takes one into the realms of imagination. The classic, essential deathrock (or goth punk) bands include: Christian Death (the original lineup with vocalist Rozz Williams), early TSOL, UK Decay, The Damned, 45 Grave, Alien Sex Fiend and The Cramps.
more...
Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One shou... |
|||
| 98. | gothic punk | ||
|
Gothic punk (also defined as 'deathrock' and part of the 'post-punk' movement) deals with themes of death and mortality, sorrow, despair, surrealism, fantasy, the darker side of the life of society, the supernatural, the occult, romanticism, the effects of psychological terror and trauma - just to name a few of the basics. The music of gothic punk, (as opposed to the more traditional extremely fast and anger-based hardcore punk), usually exists within the realm of medium-fast, more danceable rhythms often including tribal tom-based drum sections for the verses. The music also often includes a synthesizer to accompany the drums, bass and guitar, which again, is something more traditional hardcore punk usually refrained from including. The result is more of a moody, introspective sound that takes one into the realms of imagination. The classic, essential deathrock (or goth punk) bands include: Christian Death (the original lineup with vocalist Rozz Williams), early TSOL, UK Decay, The Damned, 45 Grave, Alien Sex Fiend and The Cramps. Keep in mind that there were also several 'dark punk' bands around the same time that, while not maybe being quite as 'gothic' in some regards, still had enough stylistic similarities to be worthy of mention. They include bands such as: The Adicts, The Adverts, The Mob, False Prophets, Wipers, Chrome and can't forget classics that bridged the gap between hardcore and darkpunk such as Black Flag, Dead Kennedys and The Misfits. One should... |
|||
