One that listens to all the Metal genre. Metal heads can and could be classified as a typical down to earth person, when turned upon are dangerous and can be harmful as the music they listen to can be the drive for adrenaline and fury when needed. Clothing can range from old to new styles or a combination of the 2. Old can be seen as blue jeans and leather jackets while as the new holding on to the band T-shits or jackets to dark pants as in between light blue pants with dark colored T-shirts. Always doing there own thing most verbal conflict does not effect can usaully hold temper in and burts it all out in an effective act of compulsion and agression, often times scares the the opposer and shows of the "No Fear" attitude. Knows when and what they are Capable when they knwo they can lose a fight they will jump in anyway to show how they will not back down. Can take a beating even if they are weak. Small i numbers but can take on multiple waves of people on there own with no regards for the stakes at risk. Very protective of there friends and can and will die for them when threatened. Despises most cultures "Emo, Pop, some Metal heads dislike hardcore(for reasons of the style of mosh is 'fighting invisible ninjas' or common rivalry between the genres as hardcore kids out number the metal heads

Breath Of A Thousand Asses.

Breath Of A Thousand Asses.

B - Breath
O - Of
A - A
T - Thousand
A - Asses

Referring to John Boyd (military strategist) & Chris Boyd (artist & director).
A quality inherent in the characteristic styles of Boyd's rebellious nature and intense fiery temperaments. A signature whereby they first appear at ease but seem to bristle with inner strengh and energy. Both being referred to as "human volcanoes". Its this intensity and rebelliousness that has contributed to their single minded creativity and achievements in their fields.
Exhibiting the characteristics which serve as the Boyd signature: aggressive, brilliant, fiery, intense, and tempestuous.

Originally, a generation of art punk bands emanating from the infrastructure of what had been the American hardcore punk scene. Closely related or perhaps even derivative styles of post-hardcore included math rock and emo.

The Washington, DC scene surrounding Dischord records circa 1985 is often considered ground zero for post-hardcore, thanks largely to Revolution Summer, a campaign by Dischord to revitalize the then-creatively stagnant Washington, DC hardcore punk scene. Initially, groups like Embrace, Rites of Spring and Ignition integrated melody, a sense of groove, an introspective lyrical focus, and a stronger command of rock songwriting into hardcore sensibilities, though subsequent groups formed circa 1987 such as Moss Icon and Soulside moved post-hardcore into a more art rock direction by introducing elements such dynamic shifts, progressive songwriting styles, and angular guitar work influenced by the original post-punk movement, in many ways the sonic and spiritual antecedent of post-hardcore.

Fugazi, formed in the late 1980s by former me...

Its funny how Slipknot haters tell us to get a life when their the ones that are insecure about their own music that they have to come over here and tell us what we don't want to hear. Everyone has opinions, keep them to yourself. Your not proving anything by saying "get a life loser", ESPECIALLY when you say it over the internet.. its people like you we hate.. but anywho thier 9 (sic) fuckers from des moines iowa. they are a kickass band.