Originally an arty outgrowth of hardcore punk, emo became an important force in underground rock by the late '90s, appealing to modern-day punks and indie-rockers alike. Some emo leans toward the progressive side, full of complex guitar work, unorthodox song structures, arty noise, and extreme dynamic shifts; some emo is much closer to punk-pop, though it's a bit more intricate. Emo lyrics are deeply personal, usually either free-associative poetry or intimate confessionals. Though it's far less macho, emo is a direct descendant of hardcore's preoccupations with authenticity and anti-commercialism; it grew out of the conviction that commercially oriented music was too artificial and calculated to express any genuine emotion. Because the emo ideal is authentic, deeply felt emotion that defies rational analysis, the style can be prone to excess in its quest for ever-bigger peaks and releases. But at its best, emo has a sweeping power that manages to be visceral, challenging, and intimate all at once. The groundwork for emo was laid by Hüsker Dü's 1984 landmark Zen Arcade, which made it possible for hardcore bands to tackle more personal subject matter and write more tuneful and technically demanding songs. Emo emerged in Washington, D.C. not long after, amidst the remnants of the hardcore scene that had produced Minor Threat and Bad Brains. The term "emo" (sometimes lengthened to "emocore") was initially used to describe hardcore bands who favored expressive vocals over the typical barking rants; the first true emo band was Rites of Spring, followed by ex-Minor Threat singer Ian MacKaye's short-lived Embrace. MacKaye's Dischord label became the center for D.C.'s growing emo scene, releasing work by Rites of Spring, Dag Nasty, Nation of Ulysses, and MacKaye's collaboration with members of Rites of Spring, Fugazi. Fugazi became the definitive early emo band, crossing over to alternative rock listeners and getting press for their uncompromisingly anti-commercial attitudes. Aside from the Dischord stable, most early emo was deeply underground, recorded by extremely short-lived bands and released on vinyl in small quantities by small labels; some vocalists literally wept onstage during song climaxes, earning derision from hardcore purists. Fugazi notwithstanding, emo didn't really break out of obscurity until the mid-'90s emergence of Sunny Day Real Estate, whose early work defined the style in the minds of many. Tempering Fugazi's gnarled guitar webs with Seattle grunge, straight-up prog-rock, and crooned vocals, SDRE launched a thousand imitators who connected with their dramatic melodies and introspective mysticism. Some of this new generation connected equally with the wry, geeky introspection and catchy punk-pop of Weezer's Pinkerton album. While several artists continued to build on Fugazi's innovations (including Quicksand and Drive Like Jehu), most '90s emo bands borrowed from some combination of Fugazi, Sunny Day Real Estate, and Weezer. Groups like the Promise Ring, the Get Up Kids, Braid, Texas Is the Reason, Jimmy Eat World, Joan of Arc, and Jets to Brazil earned substantial followings in the indie-rock world, making emo one of the more popular underground rock styles at the turn of the millennium.
emo is fricken awsome so STFU emo haters
Genre of softcore punk music that integrates unenthusiastic melodramatic 17 year olds who dont smile, high pitched overwrought lyrics and inaudible guitar rifts with tight wool sweaters, tighter jeans, itchy scarfs (even in the summer), ripped chucks with favorite bands signature, black square rimmed glasses, and ebony greasy unwashed hair that is required to cover at least 3/5 ths of the face at an angle.
::sniff sniff:: "The Demise of the Siberian Traintracks of Our Rusty Forgotten Unblemished Love" sounds like it would make a great emo band name. ::cry::
An entire subculture of people (usually angsty teens) with a fake personality. The concept of Emo is actually a vicious cycle that never ends, to the utter failing of humanity, and it goes something like this:
1. Girls say they like "sensitive guys" (lie)
2. Guy finds out, so he listens to faggy emo music and dresses like a dork so chicks will see that he is sensitive and not afraid to express himself (lie). He dyes his hair black, wraps himself in a stupid looking scarf, develops an eating disorder, and rants about how "nobody understands".
3. Now an emo guy, he meets Emo chick and they start dating, talking about how their well-off suburban lifestyles are terrible and depressing (lie)
4. Emo guy is just too much of a pussy. His penis is too small, he's too depressed to bathe, and has more mood swings than emo chick, and he doesn't even have a menstrual cycle. Emo chick dumps him, saying "It's not you, it's me." (lie) as she drives off with Wayne, the school jock and captain of the football team.
5. Emo guy goes home and cries, proceeds to write a weak song and strum a single string on his acoustic guitar. Another emo chick sees how he is so in touch with his feelings, and the cycle continues.
This is the sad truth of the emo lifestyle/music, and now that I look at how pathetic it really is, maybe the emos DO have something to cry about!
When she sees how sensitive and emo I have become, she'll definately go out with me!
Like a Goth, only much less dark and much more Harry Potter.
My life sucks, I want to cry.
The Difference between Emo And Goth:
Emos Hate themselves
Goths hate Everyone
Emos Want to Kill themselves
Goths Want to kill Everyone
Punk music on estrogen. Often acoustic guitar with soft, high male vocals that dwell exessively on the singer's feelings, especially melancholy remembrances of past relationships/mistakes in life. A form of music that diverged from punk in the '80s, the name "emo" is derived from the emotive style of the lyrics and music. This genre has lately been marketed heavily by the music industry to teenagers with bands such as Dashboard Confessional and Taking Back Sunday, and has seen much commercial and mainstream success. The music has also spawned a subculture which conforms to certain conventions in dress such as tight sweatshirts, tight band T-shirts and horn-rim glasses. Adherents profess to exessively melancholy temperments. Males that adhere to the emo subculture are sometimes confused with metrosexuals; indeed the line between the two is somwhat blurred, though both groups claim to be intouch with their emotional side. The ephemeral and hackneyed nature of emo songwriting suggests that its audience will be restricted largely to teenagers. the genre suffers from a lack of credibility outside the aforementioned demographic group, much like current Nu Metal bands.
girlfriend: C'mon, lets have sex.
boyfriend: I'm too sad to have sex.
girlfriend: I'm sad too; lets have sex and cry.
boyfriend: I'm already crying.
A group of white, mostly middle-class well-off kids who find imperfections in there life and create a ridiculous, depressing melodrama around each one. They often take anti-depressants, even though the majority don't need them. They need to wake up and deal with life like everyone else instead of wallowing in their imaginary quagmire of torment.
XxSlavetoAnguishxX: omg my gf just left me
acidburnedsoul: that sux man
XxSlavetoAnguishxX: i blame myself only i'm such an ass *cries*
acidburnedsoul: dude come over to my house and we can cut ourselves together
XxSlavetoAnguishxX: okay *cries*
acidburnedsoul: omg dashboard confessional has a new cd, i preordered it already
XxSlavetoAnguishxX: dude they're my favorite band to self-mutilate to
acidburnedsoul: i prefer to cut myself while watching Napoleon Dynamite on my bigscreen
XxSlavetoAnguishxX: dude that movie is so deep. i cry every time i see it
acidburnedsoul: me too. i hate myself
XxSlavetoAnguishxX: yeah we're such tortured souls, nobody understands how hard life is for us
acidburnedsoul: yeah we got it tough dude. pass the tissues
"Emo" is not short for "Emotional." "Emo" does not mean Taking Back Sunday and Dashboard Confessional, despite what MTV has lead you to believe in the last few years. "Emo" is not sidebangs, tight pants, and male vocalists who sing like little girls about their failed relationships. "Emo" is not the use of diluted, meaningless metaphors and similes such as "My arms are like pinecones," and most definitely is not the rampant use of words such as "autumn," "heart," "knife," "bleeding," "leaves," and "razorblade."more...
I just thought I'd clear that up after all of these "definitions" in which I have encountered an unbelievable amount of people who try to pass off their blatantly false pretenses as fact, and are slowly infecting others with their high-horse, holier-than-thou bullshit. Because honestly, with your ridiculous definitions, Beethoven, George Gershwin, and Britney Spears are/was "emo bands."
Now, onto the real definition.
In the early 90s there was a movement in the hardcore genre that came to be known as "Emotive Hardcore," spearheaded by Rites Of Spring. Harder-core-than-thou kids, who swore by Dischord Records a la Minor Threat, actually coined the term "Emo" as something of a put-down for the kids who really liked Rites Of Spring, Indian Summer and this new wave of "Emotive" Hardcore bands. That's right, "Emo" was once not something kids called themselves. The field exploded outwards from there - Level-Plane Records has always been the most famous Emo label....